The Former Anne Spollen's Author Blog Is Being Retitled to "Notes from Living Upghetto": A Middle Grader Dishes on MG Lit

Sunday, April 6, 2008

A Middle Grader Dishes on MG Lit

Emma, Age 9

Emma is a fourth grader who likes to read, but who likes to write her own stories even more.
"Mostly I used to read and write only about fairies. Fairies are still my favorite subject, and all the stories I write have at least one fairy in them. But in the last year, I have begun reading a lot of other types of books so I can talk about them."

Do you remember your favorite picture book?

I read all the Olivia books, then all the Madeline books, but I especially loved any story that had a cat or cats in it.

What types of books do you and your friends usually read now?

My friends read a lot of books that are from Disney movies or from Saturday morning shows. We also all read the American girl books. I don't really like the books from television or movies. I read books with enchantment and fantasy, books that take place in castles or have some mystery to them. I like when books don't match tv, and I don't know how the story ends already.

What makes you pick up a book?

Well, it used to be only the cover. Now I read the first few paragraphs before I decide whether or not I want to read it.

What kinds of covers do you like?

The cover can only have one main thing on it. I don't like covers with lots of little pictures and two or more things happening. I just put those down.

When you read those first few paragraphs, how do you decide if you like it or not?

The main thing is I don't want to know what the problem is right away. I love drama, when the writer makes something dramatic happen right on the first page and I get a picture of it happening in my head. Then I feel like I'm sort of going into the story, that I can see it. But when they say the problem, I feel like I don't know what's going on, that I missed a page before the first page. If I don't know where the story is happening or who the characters are, I'm not ready to know what's wrong.

What makes you keep reading that story after you've taken it home?

I like to feel a little bit scared while I'm reading. I don't like to be relaxed. It's exciting when the character has to do something like be quiet for a long time not to get caught or to escape from somewhere. I have to be just a drop worried and think about the book when I'm not reading it. That's a good book. It's like the story is happening to you. And I love details once I'm in the story. I like to know what the people are eating, what it looks like, where everything is on the table.

Is there anything you don't like about some books you read that you would like to tell writers?

Yes. This is something I have noticed and my friends have, too. In the last chapter, all the problems have to be solved very, very clearly. None of us like it when we have to try and figure out what the author meant. Like, did she escape? Or did she turn into a different type of fairy?
That's terrible. When authors do that, I don't read any of their other books. I just feel disappointed at the end.
One other thing is that you don't need to have the character like a boy. I feel like I can't wait until that part is over and the writer gets back to the story. It's like an interruption.

Thanks for doing this, Emma.

You're welcome, Mom. Only next time, I'd like to do a videoblog instead of watching you type.

4 comments:

Anonymous said...: Interesting comments. Food for thought about the conflict being shown too soon.; Monday, 07 April, 2008
Heather Duffy-Stone said...: Emma makes me want to write MG, which I have never wanted to do!; Tuesday, 08 April, 2008
Anne Spollen said...: I know, Heather! She had the same effect on me. Only now that she has me persuaded to write an MG, I am slightly afraid of her -- she is a very tough critic, and her (current) fav author is C.S. Lewis. Sort of a tough act to live up to...; Wednesday, 09 April, 2008
Anonymous said...: Emma is so cute!!!!; Friday, 11 April, 2008

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Books

Light Beneath Ferns

"I have this strange sense that my silence is preparing me for something I can't name . ."

Elizah Rayne is nothing like other fourteen-year-old girls. More interested in bird bones than people, she wraps herself in silence. Trying to escape the shadow of her gambler father, Elizah and her mother move into an old house that borders a cemetery. All her mother wants is for them to have "normal" lives. But that becomes impossible for Elizah when she finds a human jawbone by the river and meets Nathaniel, a strangely hypnotic boy who draws Elizah into his dreamlike and mysterious world.

Only by forgetting everything she knows can Elizah understand the truth about Nathaniel—and discover an unimaginable secret.

Teen made trailer for Light Beneath Ferns.

Order Light Beneath Ferns here.

Foreword Magazine's Review of Light Beneath Ferns

Excerpt from THE SHAPE OF WATER

CHAPTER ONE
I discovered windows one afternoon and after that, nothing was ever the same. They had always been there, of course, glass panes shimmering in the color of rain, but that spring for the first time, I was able to open the windows in my room. For years, the locks had been painted stuck, and during the winter, heat from the radiator beneath my windows finally steamed off enough paint off the metal wings of the locks could be twirled open. Knowing that I could open the windows attracted me to them, and I began sitting under the windows, staring through the glass at the sky. From that position, on a chair in my room, the sky did not seem real; it seemed a place I was making up, so I watched it.
The white wood of the window panes acted as frames so the sky came to me slowly, and the huge openness of its space did not touch me. All the window glass in our old house had wavers and bubbles inside it, so at times the clouds moved like water, melting and blurring until they passed outside of the warp. After a few afternoons of sitting, the heavens seemed too quiet to keep watching so I began watching a small patch of woods next to our yard that housed little more than trees and a scatter of bony, mean-looking rabbits.
I started gazing at the sky and the woods in March when the branches were still wet and it was then, with nothing outside my window but trees and rain, that I noticed a shine inside darkness, I noticed colors glimmering within the darkness of the wood. I watched birds come and go, I watched rain nipple down from buds to the grass. The water dripping from branch edges and leaves created optical tricks; I could see that as I watched leaves melt.
Then one day I ventured into the space outside. I did not think about doing this much beforehand. I simply opened the window and dropped to the ground below, uncertain as to why this should be such a more satisfying exit than simply using the door; my father worked until seven o’clock and I could do whatever I wanted until then. But I liked the solid sound my legs made when I landed. Leaving via a five foot drop seemed so much more a decision than just using a door. The sense of escape made my heart pound, though all I escaped was the soundless spread of moss-colored light inside my house and the silence.
I had come to know silence well during those months after my mother died. When you sit in silence long enough, you learn that silence has a motion. It glides over you without shape or form, but with weight, exactly like water. Its color is silver. And silence has a sound you hear only after hours of wading inside it. The sound is soft, flute notes rising up like the words of glass speaking. There comes a point when you must shatter the silence, when you must shatter the blindness of its words, the blindness of its light. I did this by going into the yard. Once I stood there, in the grass next to the trees I had been watching, I found silence outside as well. But I was happier outside than I had been in the house, so I stayed for a bit. I stood beneath my bedroom window for a few minutes, looking up at the branches and the crooked pieces of sky colliding between the branches. I believed I could identify the scent of the sky as I stood there, a blue menthol fragrance similar to the scent of seawater that sprayed into my face when I first dove into the ocean. That initial scent smelled much more subtle than the ocean’s heavy, fishy aroma, a whiff of salt and mint that warned a more powerful scent would enter my nose just as I approached the water on a dive. It was the scent I dreamed in. And it was the scent of that spring sky as I stood in my yard.

***