The Former Anne Spollen's Author Blog Is Being Retitled to "Notes from Living Upghetto": Summer!

Thursday, July 7, 2011

Summer!

I'm back. .. and I didn't actually finish my novel, but I got the first third of it down, at least the draft of that first third. Actually, I'm sort of saying it's the first third because it makes me feel cool and organized and all sorts of in control.

The first time I went for a sonogram when I was pregnant with Christopher, the incredibly dour ultrasound tech barked at me to "evacuate your bladder until it's only one third full." She was one of those efficient human machines who work in medical lab kinds of places and she scared me more than the whole business of pregnancy did. I remember standing in the bathroom, wondering if other people (even you men) knew how to do such a thing.

So what does that weird anecdote have to do with writing? Well, I never really know how long or short anything is going to turn out until I'm done, and it was the same in that bathroom. (Just in case you're wondering, I was sent back to the bathroom because I had not estimated correctly) Some writers know they are writing a 50,000 or a 120,000 word novel. I just know I'm writing a story.

Anyway, I've been spending a lot of time reading books I don't normally read, like chic lit (sorry, not a fan), steampunk which I'm undecided about, a couple of mysteries which I found formulaic, then back to YA and MG which I loved. The problem with broadening your horizon is it makes you that much more comfortable to stay in your own little spectrum of color. Really, who can beat the likes of Robert Cormier or Harper Lee?

And I've been spending a fair amount of time walking with the kids on the Atlantic City Boardwalk. This is pretty much what it looks like:

What have you guys been doing this summer? I have to visit everyone's blog to see what's been going on. It's nice to be away from the Internet, but it's also nice to come back.

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Books

Light Beneath Ferns

"I have this strange sense that my silence is preparing me for something I can't name . ."

Elizah Rayne is nothing like other fourteen-year-old girls. More interested in bird bones than people, she wraps herself in silence. Trying to escape the shadow of her gambler father, Elizah and her mother move into an old house that borders a cemetery. All her mother wants is for them to have "normal" lives. But that becomes impossible for Elizah when she finds a human jawbone by the river and meets Nathaniel, a strangely hypnotic boy who draws Elizah into his dreamlike and mysterious world.

Only by forgetting everything she knows can Elizah understand the truth about Nathaniel—and discover an unimaginable secret.

Teen made trailer for Light Beneath Ferns.

Order Light Beneath Ferns here.

Foreword Magazine's Review of Light Beneath Ferns

Excerpt from THE SHAPE OF WATER

CHAPTER ONE
I discovered windows one afternoon and after that, nothing was ever the same. They had always been there, of course, glass panes shimmering in the color of rain, but that spring for the first time, I was able to open the windows in my room. For years, the locks had been painted stuck, and during the winter, heat from the radiator beneath my windows finally steamed off enough paint off the metal wings of the locks could be twirled open. Knowing that I could open the windows attracted me to them, and I began sitting under the windows, staring through the glass at the sky. From that position, on a chair in my room, the sky did not seem real; it seemed a place I was making up, so I watched it.
The white wood of the window panes acted as frames so the sky came to me slowly, and the huge openness of its space did not touch me. All the window glass in our old house had wavers and bubbles inside it, so at times the clouds moved like water, melting and blurring until they passed outside of the warp. After a few afternoons of sitting, the heavens seemed too quiet to keep watching so I began watching a small patch of woods next to our yard that housed little more than trees and a scatter of bony, mean-looking rabbits.
I started gazing at the sky and the woods in March when the branches were still wet and it was then, with nothing outside my window but trees and rain, that I noticed a shine inside darkness, I noticed colors glimmering within the darkness of the wood. I watched birds come and go, I watched rain nipple down from buds to the grass. The water dripping from branch edges and leaves created optical tricks; I could see that as I watched leaves melt.
Then one day I ventured into the space outside. I did not think about doing this much beforehand. I simply opened the window and dropped to the ground below, uncertain as to why this should be such a more satisfying exit than simply using the door; my father worked until seven o’clock and I could do whatever I wanted until then. But I liked the solid sound my legs made when I landed. Leaving via a five foot drop seemed so much more a decision than just using a door. The sense of escape made my heart pound, though all I escaped was the soundless spread of moss-colored light inside my house and the silence.
I had come to know silence well during those months after my mother died. When you sit in silence long enough, you learn that silence has a motion. It glides over you without shape or form, but with weight, exactly like water. Its color is silver. And silence has a sound you hear only after hours of wading inside it. The sound is soft, flute notes rising up like the words of glass speaking. There comes a point when you must shatter the silence, when you must shatter the blindness of its words, the blindness of its light. I did this by going into the yard. Once I stood there, in the grass next to the trees I had been watching, I found silence outside as well. But I was happier outside than I had been in the house, so I stayed for a bit. I stood beneath my bedroom window for a few minutes, looking up at the branches and the crooked pieces of sky colliding between the branches. I believed I could identify the scent of the sky as I stood there, a blue menthol fragrance similar to the scent of seawater that sprayed into my face when I first dove into the ocean. That initial scent smelled much more subtle than the ocean’s heavy, fishy aroma, a whiff of salt and mint that warned a more powerful scent would enter my nose just as I approached the water on a dive. It was the scent I dreamed in. And it was the scent of that spring sky as I stood in my yard.

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