The Former Anne Spollen's Author Blog Is Being Retitled to "Notes from Living Upghetto": revision

Showing posts with label revision. Show all posts

Monday, December 20, 2010

The Season of Epiphany

Baby Cat Touching the Moon

This is a kind of blurry picture of BabyCat who finally, finally got onto the highest window in the house to bat at the moon with her paw. Of course, that's not really the moon. It's the reflection of a hallway light, but she got to bat at it nonetheless as we left a ladder near the window to put up lights. She was completely baffled as to why that light didn't move like her toy balls do.

I liked that the Escher print beneath also had a moon and a lot of white and black - it just struck me so with a ton of Christmas stuff still undone (and just a ladder, no lights), I went and found the camera and took some pictures of her.

Now, what on earth does BabyCat chasing reflected light have to do with epiphanies? Well, in my tired-I've graded-way-too-many-term-papers-this-week brain, a lot. BabyCat isn't really capable of revision. And since I was kind of stuck in my revision, while I was watching her, the whole idea of why two scenes weren't

working came to me: she wasn't really batting at the moon, and my character wasn't really revealing her truth either. So after watching her, I left the lights and the wrapping undone, and wrote down notes for a new direction for my character to take. In about two seconds, while watching BabyCat, it dawned on me what I needed to do.

But those two seconds took about three months to arrive at, and I think that is the nature of any epiphany. The online dictionary says an epiphany is: "a sudden, intuitive perception of or insight into the reality or essential meaning of something, usually initiated by some simple, homely, or commonplace occurrence or experience..."

I'm not sure BabyCat up there on that ledge is homely or commonplace, but I guess it's simple. And it's weird the way our brains fire, jumping from one image to other ones that don't seem connected at all.

On some level, you are thinking of how to solve a problem, either in writing or in some other area of your life, but you aren't really conscious of it. I have had so many areas of my life demanding my time lately, that writing has had to take a very distant backseat. I was glad though, in those few minutes of downtime while watching her up there trying to play with something that wasn't really there, that I found my way out of the bog I had landed my character in.

Now all I have to do is finish shopping, baking, cleaning, wrapping, writing out cards, grading and submitting grades and I can get back to rescue her from that bog...

Friday, February 6, 2009

Revision

I can't write five words but that I change seven. - Dorothy Parker

The problem with revision is that it never seems hopeful to me; it just makes me feel like I failed the first time around. And I can't really complain successfully (meaning I get sympathy) to anyone unless that person writes. Then I can get lots of sympathy.

Actually, I almost never talk about writing, particularly my writing, to anyone I see on a day-to-day basis because where we live (a small seaport village that mostly supported McCain/Palin and doesn't miss a televised football game) no one:

a) believes that writers live anywhere near here

or

b) believes that I am one no matter what I say -

since the "real" ones don't live so close to the Chumbucket Bait Shop.

So I can only complain here. I tried complaining to my boys and they put their Ipods in and motioned that they couldn't hear me. My husband shrugged and said, "Just get it done." When I tried to complain to my daughter, she said, "Is it the middle grade story with the girl in it?" When I told her it wasn't, she walked out of the room. (Maybe flounced is a better word there).

What's so awful about revision? Well, look at the word a minute. It's a re vision which means you have to go back to a story you have mentally finished envisioning and face all the holes and gaps and weirdness that you ignored or didn't notice the first time around. I don't want to face them; I just want them to go away or fix themselves.

I have a friend who writes all the time, but she is still unpublished. She has such a better attitude than I do that she deserves to be published way more than I do. She's never surly about anything. In fact, she always tells me how she feels this wild sense of hope when she sits down to revise (see opening sentence) and I say encouraging things to her like, "What is wrong with you?" She sees revision as an opportunity to make her writing really shine, to learn from her mistakes, to pull everything together.

I know she's right, only I know it on an intellectual level, not on an emotional one. I feel extraordinarily put upon when I have to revise. I love to WRITE novels, not tinker. And what is this obsession editors have with logic and chronology issues anyway?

I get even crabbier when people (the ones I live with who are starting to get hungry and wonder when I am going to start dinner) say, "How's the editing going?" Editing is easy; revision should never be confused with editing. Editing is fixing grammar, spelling, tweaking a few sentences; revision is going into the structure and reorganizing the walls. It's work and writing is fun.

I can't imagine going through the revision process with other people. My friend (see above paragraph) belongs to a writers' group and she revises publicly - meaning, they sit around a Starbucks and tell her where her work needs to change. And she likes this, she drives there on cold nights to listen to their thoughts on revision.

That amazes me. I find it much better to hunker down, feel really sorry for myself, put a stack of chocolate next to my desk, and talk about how awful revision is because as long as I'm doing that, I can keep avoiding it.

Books

Light Beneath Ferns

"I have this strange sense that my silence is preparing me for something I can't name . ."

Elizah Rayne is nothing like other fourteen-year-old girls. More interested in bird bones than people, she wraps herself in silence. Trying to escape the shadow of her gambler father, Elizah and her mother move into an old house that borders a cemetery. All her mother wants is for them to have "normal" lives. But that becomes impossible for Elizah when she finds a human jawbone by the river and meets Nathaniel, a strangely hypnotic boy who draws Elizah into his dreamlike and mysterious world.

Only by forgetting everything she knows can Elizah understand the truth about Nathaniel—and discover an unimaginable secret.

Teen made trailer for Light Beneath Ferns.

Order Light Beneath Ferns here.

Foreword Magazine's Review of Light Beneath Ferns

Excerpt from THE SHAPE OF WATER

CHAPTER ONE
I discovered windows one afternoon and after that, nothing was ever the same. They had always been there, of course, glass panes shimmering in the color of rain, but that spring for the first time, I was able to open the windows in my room. For years, the locks had been painted stuck, and during the winter, heat from the radiator beneath my windows finally steamed off enough paint off the metal wings of the locks could be twirled open. Knowing that I could open the windows attracted me to them, and I began sitting under the windows, staring through the glass at the sky. From that position, on a chair in my room, the sky did not seem real; it seemed a place I was making up, so I watched it.
The white wood of the window panes acted as frames so the sky came to me slowly, and the huge openness of its space did not touch me. All the window glass in our old house had wavers and bubbles inside it, so at times the clouds moved like water, melting and blurring until they passed outside of the warp. After a few afternoons of sitting, the heavens seemed too quiet to keep watching so I began watching a small patch of woods next to our yard that housed little more than trees and a scatter of bony, mean-looking rabbits.
I started gazing at the sky and the woods in March when the branches were still wet and it was then, with nothing outside my window but trees and rain, that I noticed a shine inside darkness, I noticed colors glimmering within the darkness of the wood. I watched birds come and go, I watched rain nipple down from buds to the grass. The water dripping from branch edges and leaves created optical tricks; I could see that as I watched leaves melt.
Then one day I ventured into the space outside. I did not think about doing this much beforehand. I simply opened the window and dropped to the ground below, uncertain as to why this should be such a more satisfying exit than simply using the door; my father worked until seven o’clock and I could do whatever I wanted until then. But I liked the solid sound my legs made when I landed. Leaving via a five foot drop seemed so much more a decision than just using a door. The sense of escape made my heart pound, though all I escaped was the soundless spread of moss-colored light inside my house and the silence.
I had come to know silence well during those months after my mother died. When you sit in silence long enough, you learn that silence has a motion. It glides over you without shape or form, but with weight, exactly like water. Its color is silver. And silence has a sound you hear only after hours of wading inside it. The sound is soft, flute notes rising up like the words of glass speaking. There comes a point when you must shatter the silence, when you must shatter the blindness of its words, the blindness of its light. I did this by going into the yard. Once I stood there, in the grass next to the trees I had been watching, I found silence outside as well. But I was happier outside than I had been in the house, so I stayed for a bit. I stood beneath my bedroom window for a few minutes, looking up at the branches and the crooked pieces of sky colliding between the branches. I believed I could identify the scent of the sky as I stood there, a blue menthol fragrance similar to the scent of seawater that sprayed into my face when I first dove into the ocean. That initial scent smelled much more subtle than the ocean’s heavy, fishy aroma, a whiff of salt and mint that warned a more powerful scent would enter my nose just as I approached the water on a dive. It was the scent I dreamed in. And it was the scent of that spring sky as I stood in my yard.

***