The Former Anne Spollen's Author Blog Is Being Retitled to "Notes from Living Upghetto": Late Summer

Friday, August 19, 2011

Late Summer

Things are underway here for Emma's birthday celebration which is really more of a birthmonth celebration - her bd seems to stretch from mid-August to the first week of school. (Around the Fourth of July she begins asking for things, saying, "But it's soooo close to my birthday..." )

Her bd also means summer is nearing its end which is always bittersweet. I'm not sure I actually believe that last sentence - everyone always says it, but I never want to see summer end. Summer is my absolute favorite season and seems about as long as a three day weekend. But in honor of its end, it's time for a seasonal assessment. These are the three top things I remember about this summer:

1. We went to Exit 0 on the Garden State Parkway. I never knew there was an Exit 0, but on the way to ride go karts (see #2) we decided to travel south just to see Exit 0. I thought it was the perfect name for a YA novel.

2. My kids can talk me into almost anything. I was taking THEM to ride go karts. I brought the camera and drinks, never expecting that they expected me to actually go around the track with them. I am seriously not mechanical and these particular go karts had the look of reimagined lawn mowers. "I am NOT getting on that thing," I remember saying. Five minutes later, Philip and Emma waved as they passed me on the track.

3. I didn't plant a garden this year, not officially. I have perennial beds of oregano and sage that I weeded a little, but I didn't do the customary tomatoes and peppers and zucchini. I kept meaning to, but time has a way of slipping past, and it never got done. This morning, I went into the backyard and found pumpkins growing where I had buried them last fall - the seeds apparently took and there are vines all over the place.

I'm keeping that surprise as a really hopeful sign for the coming year. That may sound strange, but having taught for so many years, I tend to think of the "new year" as beginning in September with new classes. And those unexpected pumpkins I'm keeping as a good omen.

What did you do this summer that you remember the most?

Saturday, September 4, 2010

Late Summer, Odds and Ends and Non Hurricanes

I haven't been on the computer in so long that I had to use a DustBuster and damp rags to get BabyCat's hair off the keyboard. She is so weird; she loves nothing more than a nap on a nearby keyboard. There's a bed and a comfy chair not far from this keyboard, so that kind of doesn't add up. But that's the nature of cats: they resent assumptions.

This is such a strange time here, calendar wise. I'm not wild about the ten days or so before school starts. Being a teacher and having three kids as students means a whole lot of odds and ends have to get taken care of. There have been all these little things to do that don't add up to much but take up entire days like buying school supplies, going to redundant meetings, and standing in lots of lines. All this preparing for Tuesday when everything opens.

Then there's the hurricane preparing. The hype caused our neighbors to remind us tie down deck furniture for a hurricane that never materialized. No one would go anywhere near the beaches for a few days. And that's a shame since the beaches are gorgeous right now. Late August and early September are probably the best times for a beach, or maybe that's just when I like it. We live right by Long Beach Island.

Here's our beach - I love the fences around the dunes. You can't see them so much in this picture, but most of them slope and have this great wobbly effect:

And the dock over the bay:

I just finished a book about writing theory and it said, "Never use weather to open your setting. It is too obvious a device." I think preparing for a hurricane would be a great opening to a book. I was thinking about writing theory as I read that book last night, and I'm not sure there is one - a writing theory I mean. I do remember running to the campus book store when I was 21 and ready to write my first novel. I bought about five of those books, anxious to get started. And I remember how the advice pretty much conflicted. I think I would sum up my writing theory as: Tell the story clearly, just make sure you have a really good story.

I think this blog post is rambling since that pretty much matches what's been going on here lately. I did manage to figure out the "voice" in my next YA book that I've been struggling with for a year now. It's totally different from when it started and it's the first one I don't doubt. So maybe there is a reason that hyper type people like me are forced to wait. Even if it is for hurricanes that don't appear or classes that haven't started or voices in novels that don't speak in a way that convinces me they can carry the story I intend to write. Maybe all this waiting is a writing lesson of some sort.

Books

Light Beneath Ferns

"I have this strange sense that my silence is preparing me for something I can't name . ."

Elizah Rayne is nothing like other fourteen-year-old girls. More interested in bird bones than people, she wraps herself in silence. Trying to escape the shadow of her gambler father, Elizah and her mother move into an old house that borders a cemetery. All her mother wants is for them to have "normal" lives. But that becomes impossible for Elizah when she finds a human jawbone by the river and meets Nathaniel, a strangely hypnotic boy who draws Elizah into his dreamlike and mysterious world.

Only by forgetting everything she knows can Elizah understand the truth about Nathaniel—and discover an unimaginable secret.

Teen made trailer for Light Beneath Ferns.

Order Light Beneath Ferns here.

Foreword Magazine's Review of Light Beneath Ferns

Excerpt from THE SHAPE OF WATER

CHAPTER ONE
I discovered windows one afternoon and after that, nothing was ever the same. They had always been there, of course, glass panes shimmering in the color of rain, but that spring for the first time, I was able to open the windows in my room. For years, the locks had been painted stuck, and during the winter, heat from the radiator beneath my windows finally steamed off enough paint off the metal wings of the locks could be twirled open. Knowing that I could open the windows attracted me to them, and I began sitting under the windows, staring through the glass at the sky. From that position, on a chair in my room, the sky did not seem real; it seemed a place I was making up, so I watched it.
The white wood of the window panes acted as frames so the sky came to me slowly, and the huge openness of its space did not touch me. All the window glass in our old house had wavers and bubbles inside it, so at times the clouds moved like water, melting and blurring until they passed outside of the warp. After a few afternoons of sitting, the heavens seemed too quiet to keep watching so I began watching a small patch of woods next to our yard that housed little more than trees and a scatter of bony, mean-looking rabbits.
I started gazing at the sky and the woods in March when the branches were still wet and it was then, with nothing outside my window but trees and rain, that I noticed a shine inside darkness, I noticed colors glimmering within the darkness of the wood. I watched birds come and go, I watched rain nipple down from buds to the grass. The water dripping from branch edges and leaves created optical tricks; I could see that as I watched leaves melt.
Then one day I ventured into the space outside. I did not think about doing this much beforehand. I simply opened the window and dropped to the ground below, uncertain as to why this should be such a more satisfying exit than simply using the door; my father worked until seven o’clock and I could do whatever I wanted until then. But I liked the solid sound my legs made when I landed. Leaving via a five foot drop seemed so much more a decision than just using a door. The sense of escape made my heart pound, though all I escaped was the soundless spread of moss-colored light inside my house and the silence.
I had come to know silence well during those months after my mother died. When you sit in silence long enough, you learn that silence has a motion. It glides over you without shape or form, but with weight, exactly like water. Its color is silver. And silence has a sound you hear only after hours of wading inside it. The sound is soft, flute notes rising up like the words of glass speaking. There comes a point when you must shatter the silence, when you must shatter the blindness of its words, the blindness of its light. I did this by going into the yard. Once I stood there, in the grass next to the trees I had been watching, I found silence outside as well. But I was happier outside than I had been in the house, so I stayed for a bit. I stood beneath my bedroom window for a few minutes, looking up at the branches and the crooked pieces of sky colliding between the branches. I believed I could identify the scent of the sky as I stood there, a blue menthol fragrance similar to the scent of seawater that sprayed into my face when I first dove into the ocean. That initial scent smelled much more subtle than the ocean’s heavy, fishy aroma, a whiff of salt and mint that warned a more powerful scent would enter my nose just as I approached the water on a dive. It was the scent I dreamed in. And it was the scent of that spring sky as I stood in my yard.

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